Genre: Nocturne. Nocturnes Op. The melody of the second of the Nocturnes from , in the key of E major, proceeds lento sostenuto — slowly and with a stifled voice. It stifles the emotions here, which are present beneath the ostensibly calm declamation, wending its way over accompaniment chords measured out with demureness and implacable consistency. The narrative emerges from silence and returns to silence, after relishing a plenitude of sound.
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About this Piece
Your belief in the power of music to heal and transform makes our work possible. Whereas Bach was the magnificent culmination of the Baroque period, Frederic Chopin landed very near the beginning of the century-long Romantic period, anointed to shed a golden glow on an era that arguably began with late Beethoven, or with Carl Maria von Weber, regarded as the founder of German Romantic opera, take your pick. Just as the elegant and tasteful Classical tradition crowned by Haydn and Mozart arose in opposition to what were considered the excesses of the Baroque, so the early Romantics Schubert, Schumann, Weber, Chopin, Mendelssohn, Berlioz argued against the cool objectivity of their predecessors by championing the expression of the self in all of its myriad shapes and forms. In fostering subjectivity, the Romantics explored new harmonic realms and tonal relationships, and in speaking directly from the heart they had to devise new forms in which to contain these highly individual creative messages. All of the early Romantics were purveyors of the character piece or the piano miniature. In this area Chopin had no peers. The Nocturnes, 19 in all, are a special species in the Chopin canon, for in sighing soulfulness and ephemeral expressiveness most of them represent the composer at his most intimate. The Dublin-born Field was a pianist of wide acclaim throughout Europe. A student of Muzio Clementi and an employee in his piano shop, Field composed voluminously, with, among other pieces to his credit, eight piano concertos and 17 Nocturnes, the first three appearing in , when Chopin was four. Most authors of books on Chopin are loath to acknowledge any influence by the Irish composer on the Polish master, but one writer, David Branson, undertook to do an entire book on the subject John Field and Chopin , St.
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