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Every project is tenuous at best. You might not be cast, or if you are, a variety of reasons might keep your version of the character from seeing the light of day. But, in my experience at least, something better always comes along. Halfway into the first season the great Gary David Goldberg realized they had worked my character into a corner, so she needed to be written out. The silver lining? On that set I got to work with masters of their craft and met my lifelong soul sister, Connie Britton. That kicked off a fruitful collaboration that has lasted 20 years our newest series, Jett, premiered in June.
Who else straddles such a wide range? At the Atlantic Theater Company, she is Carol, the eldest of three generations of women who enact their lives in separate but overlapping time frames juxtaposed onstage like a split screen. As the title indicates, the role is intense. Suddenly, her seemingly haphazard career started to make an odd kind of sense. These are edited excerpts from the conversations and emails. Your screen and stage careers seem to be in different universes. It was a crazy thing for Michael Mayer to cast me because he had so many seasoned Broadway actresses to choose from. These three stories are taking place simultaneously, so we are in our scene taking cues from somebody on the other side of the stage.
Through it all, miraculously, the year-old former model has emerged a respected vamp. Hey, it helps to have a niche. I always had challenges when I was younger, because I looked so young but sounded older.